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The Pines
The Pines

On the site once occupied by a Pine Plantation spanning six square kilometres, now lies one of Victoria’s most notorious crime suburbs. The Pines established by Australia’s Housing Commission in the 1950’s is a low income housing region. Since being inhabited the area has bred an ongoing culture of crime. Strong stigmas lay in the shadows where pines once stood, people struggle to get by, grasping at their sense of nation. The air is heavy with patriotism and people proceed to try and forge their own way. With a focus on masculine figures the work looks into themes of escapism and being ‘stuck’ in the centripetal force of Australian suburbia. This project takes a sincere view of the occupants and expands on conversations had while the protagonists drew pictures of Pine trees. Through these forms of documentary making The Pines is a study of a subculture where drugs, violence and crime are fuelled by socio-economic struggle.

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 Pine drawing No. 2 - Allen

Pine drawing No. 2 - Allen

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 Pine drawing No. 3 - Taz

Pine drawing No. 3 - Taz

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The Pines
9.jpg
3.jpg
5.jpg
11.jpg
Pines2.jpg
Pines4.jpg
6.jpg
 Pine drawing No. 2 - Allen
Pines3.jpg
2.jpg
PinesWebSmall12.jpg
4.jpg
WebpineNEW4.jpg
 Pine drawing No. 3 - Taz
7.jpg
PinesWebSmall6.jpg
PinesWebSmall11.jpg
12.jpg
Pines6.jpg
8.jpg
Pines1.jpg
Pines5.jpg
The Pines

On the site once occupied by a Pine Plantation spanning six square kilometres, now lies one of Victoria’s most notorious crime suburbs. The Pines established by Australia’s Housing Commission in the 1950’s is a low income housing region. Since being inhabited the area has bred an ongoing culture of crime. Strong stigmas lay in the shadows where pines once stood, people struggle to get by, grasping at their sense of nation. The air is heavy with patriotism and people proceed to try and forge their own way. With a focus on masculine figures the work looks into themes of escapism and being ‘stuck’ in the centripetal force of Australian suburbia. This project takes a sincere view of the occupants and expands on conversations had while the protagonists drew pictures of Pine trees. Through these forms of documentary making The Pines is a study of a subculture where drugs, violence and crime are fuelled by socio-economic struggle.

Pine drawing No. 2 - Allen

Pine drawing No. 3 - Taz

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